After Week Three: A Book and an Interview

Hell Prescription Form

A late, but timely prescription. There seems to be a case of DOCTORS IN HELL going around. You can prepare for the upcoming epidemic: now through both Kindle and Book. If you would like to warn people of what is to come, I hope that you will consider sharing this prescription and perhaps even investing into some reviews of your own.

And here is another infernal prescription for you: namely an interview of mine with Jennifer Loiske regarding my own strain of story in Doctors. Apparently in this case, I am the first of the fallen: namely the first Hellion to be featured on her site about our book. Bill Snider (ZombieZak) is right after me and while we are the first, we will definitely not be the last. Seriously, I hope — somehow, as I should have left that outside the gates by virtue and vice of what I have done — that you will check out the works of myself and my fellow Hellions.

My pandering to my readership aside, I think this is going to be a very short post. I’ve vastly overestimated my energies. The first week of my LDEEP program was a major adjustment, but even through the exhaustion at home I would still be able to write and engage more online. But now after the third week of the program, I find I’m more tired than before and it takes actual energy to write anything — or indeed do anything — after an early day and night. I’m honestly just hoping I won’t pass out at my computer again like I’ve, admittedly, been doing from time to time.

I am finding that I really need to pace myself. If I have time to myself for a bit in the morning and I can leave at my own speed, I am generally fine. It’s not an exact science and sometimes I feel like I have traded issues with my headaches for my stomach: though the stress management is universal. Deep breathing really helps: along with, again, having my own space. But either way, it is an ongoing experiment.

I do know, however, what I want. I want to do what I am doing now. I want to write the way I do, and get paid for it. That’s it. That should be one of my focuses. For now, though, I’m going to take a step back and enjoy what I’ve actually achieved so far, and see where I go from here.

An Interview and A Voice for Hell

I promise that, eventually, I will stop talking about hell. But it will not be this day.

Instead, allow me to present two new developments. ZombieZak, or Bill Snider, and his team have compiled a POETS IN HELL Playlist. Vocal recordings are still ongoing, so look forward to seeing more audio get added to this list. Let me just add that Chris Morris, the primary interlocutor before each clip, reads beautifully with a wonderfully diabolical cackle of glee.

I’m also very proud to say that my vocal clip has also come in. Usually the sound of my own “normal” voice grates on me, making me feel a certain amount of chagrin, but I rather like how this — albeit short — recording turned out. And you get the added bonus of hearing my voice for the first time if you haven’t already.

But that is merely one voice in hell. For the first time ever, I actually had an interview. In fact, not only did I get interviewed by Alex Butcher of the Library of Erana about my work in POETS, but she even managed to get Nietzsche himself to speak a few words about his current existence in Janet Morris’ hell.

It was challenging. I seem to be saying that a lot, but it’s no less true in this case. Having to explain your creative process, especially with regards to how it works in a collaboration is difficult enough, but also needing to speak for a man who has been dead for a century or so, whose original language isn’t English, keeping all of his facts straight, and trying to figure out how to reconcile all of these issues in a supernatural realm really keeps you on your toes. Nietzsche’s character interview pushed me to about a similar limit as it does attempting to write from his perspective in my story. Sometimes I don’t know if I understand it or even get all of the facts right, never mind translating his own particular tone, but fiction can be forgiving and I hope that my readers are, if not forgiving, at least understanding of the matter.

If I could have told myself that one day I would be attempting to write from the perspective of Friedrich Nietzsche, I would have thought that my future self was insane.

Of course, we all know by now the answer to that implicit question.

The very least I can say for myself is that I don’t think that I’m Dionysus yet.

So please visit the Library of Erana with its fine Mage, listen to an account how I found hell and how I find it, and give some time to Nietzsche. He may not be the most modern individual and I don’t always agree with what I understand of him, but he can be genial if somewhat self-deprecating, and despite his experiences there is still a bit of mischief in him somewhere: especially when you consider the things that he doesn’t tell you.

And if that doesn’t catch your fancy, there are other interviews with other fine writers: including Janet Morris and the Devil himself. Now there is the real voice of hell.

Poets in hell press release 1

Human-Hide Bound: Poets in Hell

My apologies for the false advertising behind the title, but it did grab your attention and lies are just one commodity that are trafficked in hell: where sometimes truths are far greater weapons and torments.

It’s been a long time since I’ve released two posts in one day, but to paraphrase the words of a co-writer you work at least twice as hard when you write for hell. So, really, why shouldn’t that philosophy apply to promoting POETS IN HELL?

So let me start this off by reminding you that POETS IN HELL, with my short story WHEN YOU GAZE INTO AN ABYSS, is available on Kindle. However, not only is it also available on Barnes & Noble’s Nook but it has finally been released in trade paperback.

And, to further entice you, we have the following. First, I now have the privilege of showing you a wrap around book cover:

Poets in Hell Full Cover

And, there is more. Secondly, my aforementioned fellow writer, Joe Bonadonna has written a review of POETS IN HELL for the Black Gate Magazine. In addition to an Afterward written by our leader and Heroes in Hell creator Janet Morris outlining practically every challenge we faced in getting this book to see the light of infernity, you will find a blurb about every story written by every writer involved in POETS.

It’s a big deal to me. When I was younger and back when the Black Gate accepted epic fantasy stories, I very much wanted to write something for them. And so, in a round-about way, I finally did: or at least I got my name and work mentioned in good company for an article written on their site. If only twenty-something year old Matthew could see this now, he’d … probably be shocked at how I write now and where, but I think he would really like it. The fact is, I agree with Joe: it takes a great deal of effort to write for a place as infinite as hell. It challenges you every step of the way, but its white-hot rewards are worth it: along with all the laughs, pathos, and screaming that you earn along the way.

Speaking of being vocal … our fellow writer Zombie Zak and his crack team of Hellions decided to begin a little … project. I’d like to present, to you, some recorded excerpts from POETS IN HELL.

First up, we have a hint of Yelles Hughes’ RED TAIL’S CORNER:

Followed by a little bit of Joe Bonadonna‘s own WE THE FURIOUS:

There will be more excerpts coming, including one of my own. Some of you will even get to hear my actual voice for the first time. I hope I don’t sound too terrible … in a bad way. 😉

In the meantime please fan out the flames of hell and aid us in spreading the word of POETS.

And as I said before, my story in Poets is called: “When You Gaze into an Abyss”: starring Lilith, the first wife of Adam and the German philosopher Friedrich Nietzsche.

Here are the places where you can find our book:

By Book
By Nook
By Kindle

Finally, please have a look see at our publishers’ site: Perseid Press. They make some awesome books.