Star Wars: Rebels and “Lost Missions”

February 14, 2014 ~ matthewkirshenblatt ~ Leave a comment

It’s funny that though I am a big Star Wars fanatic, I’ve not really found the opportunity to really talk about the series on G33kPr0n until, well, now. And today, I find that I have a lot to talk about.

I’ll admit I’m mildly surprised, and at the same time not, that Star Wars: Rebels is still going to happen. Between Disney buying LucasFilm, LucasArts closing down, the cancellation of Star Wars: The Clone Wars and especially the Lucasfilm Story Group’s “re-organization” of Star Wars canon into a potentially cohesive sense of continuity, I know that I assumed Rebels would just be another abandoned project. Aside from the introduction of the unidentified “Inquisitor” character, who seems to be a Dark Side Adept, member of the Inquisitorius and antagonist in the series, along the release of some really fascinating Imperial propaganda posters, nothing else was really known about the plot until recently with the revelation that one of the show’s lead characters will be a Jedi survivor of Order 66.

I’m not exactly sure what to think about it myself as a Star Wars fan. Even though Obi-Wan Kenobi’s exact words to Luke Skywalker were “Now the Jedi are all but extinct,” which doesn’t necessarily mean that he and Yoda are the last, this idea has been done before. In fact, if you look at the character he is kind of reminiscent of a young General Rahm Kota from The Force Unleashed games. Even the idea of the Inquisitor being an agent sent by Darth Vader to hunt down the remaining Jedi Knights is eerily similar to the tasks that he entrusted to his own secret apprentice Starkiller. Of course, these characters are different in and of themselves and there will be other main characters to consider as well. But a former Jedi as a gunslinger with perhaps looser morals could be interesting to watch in action. And the forces of evil can never have too many minions. I just hope they will give this Inquisitor a name of his own.

But while Star Wars: Rebels isn’t a lost mission, The Clone Wars are. “The Lost Missions” are thirteen previously unreleased episodes of the cancelled Season Six which will premiere on Netflix in North America on March 7. I myself had mixed feelings about the program itself, but I will admit that its teaser scenes in the trailer below are very intriguing when taken in themselves.

http://www.youtube.com/watch?v=W3cpMpi66aA&feature=player_embedded#t=0

What do a “malfunctioning” clone trooper, a mischievous AWOL ancient Jedi Grand Master, an unknown bounty hunter, and a lightsaber found in the dusty remains of an abandoned ship with ominous Dark Side music in the background all have in common?

For now, just a common sense of mystery and one that many fans will look forward to exploring.

Everybody Lives: A Review of The Day of The Doctor

November 25, 2013 ~ matthewkirshenblatt ~ Leave a comment

I am going to quote River Song again when I say, “Spoilers.”

So for those of you who haven’t put on your Tenth Doctor’s 3D glasses this weekend or this coming week please don’t read any further.

Before The Day, there was The Night, and then Last Day. I am time-stamped on G33kpr0n in What Will Happen on The Day of The Doctor? as stating that it is quite impossible to predict a Doctor Who episode, never mind the 50th Anniversary Special. But I did make a few theories, just as I did in What Is a Doctor and When Does He Stop Running? in my Mythic Bios Blog.

I am not upset that my possible theories were wrong, not really. I went into watching “The Day of The Doctor,” on Space at 2:50 pm with no other expectations save for the fact that we were going to see how Gallifrey died. I mean, this is what we’ve been told since 2005. Gallifrey is no more. Gallifrey falls. The Doctor is the last of his kind and he keeps losing his Companions over and again. As the last of the Time Lords, The Doctor is alone. From 2005 to the present, this is the story that we have been told and that we have seen play out time and again. But just as we all had our theories about how this would all go down, there was what we thought and then there was what happened, what will happen, or what is happening right now to those of you watching this for the first time.

The episode begins with the original 1963 Doctor Who introduction sequence, complete in black and white, and so close to the junkyard owned by one I.M. Foreman where the adventures of The Doctor began. After Clara leaves from her new work at a school, where The Doctor’s first Companions may have once taught his granddaughter, to go see him and U.N.I.T. is in so much of a rush to get The Doctor to help him that they basically tow away him and his TARDIS by helicopter, The Doctor finds his past catching up with him.

U.N.I.T., led by the Brigadier’s daughter Kate Lethbridge-Stewart, brings The Doctor to their Under-Gallery, where Queen Elizabeth the First placed all paintings deemed “not fit for public consumption” to see a sample of Time Lord-painting. This painting is a depiction of the last day of The Last Great Time War and the fall of Gallifrey’s second city Arcadia. Suddenly, The Doctor remembers that incarnation of himself that he doesn’t like to think about, the one he and Clara saw again in “The Name of The Doctor” when he crossed into his own time stream. We are treated to a look at the three-dimensional painting, which is bigger on the inside, of a golden, blood-red ravaged Gallifrey…

And then we are right in the War.

Murray Gold’s “The Dark and Endless Dalek Night” plays grandiose and horrifying in the background as Dalek saucers and Time Lord defences battle it out. But we see something new on Gallifrey’s surface. In “The End of Time,” all we saw was the Time Lord High Council in fascist red and gold proclaiming what would be the Ultimate Sanction, or the obliteration of the universe to assure their ascension as beings of pure consciousness. The Doctor made it clear that the Time Lords had been completely corrupted and irredeemable by battle lust and war. I mean, think about for a few moments. Imagine a whole people that can Regenerate and manipulate the laws of Time itself. Now think about Rassilon, the founder of Time Lord society and the inventor of much of their technology, removing the thirteen Regeneration limit and with modified Battle TARDISes dying over and over again. The Time Lords and, by extension, Gallifrey were basically deemed as bad as the Daleks and this was the reason for The Doctor’s terrible decision. This was the reason he used The Moment to destroy all of them.

In my own Mythic Bios article, I saw it as an act of euthanasia, of basically putting an entire people that had gone rabid with a hunger for power to sleep out of mercy for them and the Universe. I saw it as a hard, but necessary thing. But we had hints that just as the Time Lords had done terrible things, they also weren’t all monsters even at this point in this game. Look at the mini-episode “The Last Day” for instance. Those soldiers were just people. They were just trying to defend their home. You see from the perspective of a Gallifreyan or Time Lord soldier another giving you a helmet and he has this look of empathy and shared suffering on his face. This is not a madman or a monster. They are the front-line that has to defend their home and their families.

Yes, Time Lord society has families. Despite earlier versions of the Doctor Who mythos where Time Lords were Loomed or artificially woven and grown into existence, Time Lords and Gallifreyans have parents … and children. And this is where the episode punches you in the stomach. You assume that all the Time Lords were engineered adults, even if they were once children. I even had the belief that an elder race like the Time Lords would have few, if any children at this stage in their evolution. But you see them. You see the Gallifreyan children cowering with their protective and very terrified parents. All of that over-exaggerated Gallifreyan fashion that we have seen over the years is tattered and clothing essentially war refugees that die by Dalek and friendly-fire. It is truly awful and perhaps that is the reason why Moffat does not show gratuitous Regeneration scenes. First of all, I am pretty sure that the Daleks could have replicated something like staser fire, one of the few weapons that can kill Time Lords instantly, and second of all it illustrates that there are no take backs in war where innocents die.

Then we see The Doctor, The War Doctor, who has frankly become my favourite. He is a worn, haunted, sad old man who has seen and dealt more death than any self-conscious being ever need to. Even as he rescues some refugees by having the TARDIS smash into some Daleks, he uses a gun to carve the words “No more” into a wall. It is as though he is writing his own name as the artist of the Time Lord painting we see from Doctor Eleven’s perspective. He might as well be.

After some very concerned Time Lord soldiers, who are fed up with the High Council for doing essentially nothing (which is another indication that not all Time Lords were aware of, or even agreed with the Ultimate Sanction) realize that The Doctor has stolen the most powerful super weapon in existence we think we know where this is going. It is The Moment.

We find The Doctor in an isolated spot, having left his TARDIS miles away, either because she won’t have to see him detonate the device or watch him die. Despite the lack of hope in his eyes and his weathered, unkempt face he is still The Doctor. He is tinkering with The Moment and trying to puzzle it out like he does any other toy he comes across.

And then we see Rose.

No. We actually see The Moment, as the device’s sentient program, taking on Rose’s Bad Wolf incarnation and deciding to make The Doctor fully aware of the consequences of what he intends to do. She is beautiful and golden in the feral way that her moniker suggests. The Moment has taken the image of someone from The Doctor’s past, or future, to attempt to relate to him. It is her that confronts him about the children. And you can see in his eyes even before he says anything that he intends to die with The War. It makes too much sense. After all the horror and the loss even later in his life, it is a miracle that The Doctor has never committed suicide. But The Moment, Bad Wolf, or Rose will not make it that easy for him. For some reason, The Moment has decided to make him face his decisions and his future by opening warps through the War’s time lock. Talk about an excellent piece of Ancient Time Lord technology huh?

These warps are how Doctor Eleven, Ten, and The War Doctor end up meeting in 1562 England. Despite the grimness of everything I’ve described so far, there is your typical Doctor Who silliness. Doctor Ten continuously mistakes Elizabeth the First as being a shape-shifting Zygon imposter (I’m thinking his shape shifter device kept getting confused by his own energy), while Doctor Eleven threw a fez through two of the warps that brought them all together. Even The War Doctor is exasperated by these younger, future versions of himself. In the scene where he meets them for the first time, convinced by The Moment to talk with his future selves, he actually mistakes them for The Doctor’s Companions. At first, I thought he was totally messing around with them, asking for The Doctor and calling them Companions until I began to realize that he genuinely didn’t know.

I will say that at this point in the venture, I thought Eleven would react much more angrily to The War Doctor given his denunciation of him in “The Name of The Doctor.” But he and Doctor Ten just seemed shocked. And after they are captured by Elizabeth’s guards, seemingly under the Zygon imposter’s command we see them pretty much face each other down. The War Doctor asks them if they ever thought about how many children there were on Gallifrey. There is another punch in the stomach for everyone in the audience. But whereas Doctor Ten does, in fact remember, Doctor Eleven claims not to and there is this very real, very angry moment between him and Ten about how he could “move past” something of that kind. Basically, even in a jail cell The Doctor is still running from his past and what he did that one time during The Time War. Meanwhile The Moment, who is still Rose and can only be seen by The War Doctor, is feeding him lines and asking him to consider matters. I was thinking about all those Doctor/Rose fan-shippers that were crying inside about how close this approximation of Rose was to Doctor Ten and Eleven, and yet so far away.

Then each of them is led by The Moment, through The War Doctor, to realize that despite the different appearances of their sonic screwdrivers they all still have the same software. They are about to use them to break out when Clara, who the Zygons underestimated rather stupidly, just opens the unlocked door. Yes, all three Doctors are that absent-minded: constantly searching for complex solutions, when the answer is right in front of them. It happens to us all. But then what seems to be the Elizabeth imposter leads them out to show them how the Zygons are planning to conquer Earth. With their homeworld having been destroyed in the beginnings of the Time War, the Zygons somehow reverse-engineered Time Lord art technology (perhaps through the presence of the Time War painting that is somehow at some point in Elizabethan England) send themselves into other paintings to release themselves in Earth’s future. All of these events are components to another, greater Moment that comes up very soon.

So after realizing that Elizabeth I is the real one pretending to be her imposter (that she stabbed to death in the forest) and her impromptu wedding with Doctor Ten, all three Doctors come into the TARDIS and find a way to go back to 2013 into a “TARDIS-proofed” U.N.I.T. Black Tower and stop the mutually-assured destruction of London situation happening between the Zygon infiltrators and Kate Lethbridge-Stewart. It is here that we see Doctors Ten and Eleven taking their regret over what happened in The Time War and using it and craftiness to get both sides to agree to peace-talks. Clara then has some alone time with The War Doctor, a far cry from the young energetic man she has been travelling with and says that his eyes “look young” while those of his counterparts look so terribly old.

It is here that The War Doctor comes to his decision. He realizes that his “necessary mistake” in destroying Gallifrey is the only way to get his future incarnations to “grow-up” into the people that they have become. He plans to be the force that they learn from. And I know that I, as part of the audience watching this commercial-less simulcast, braced for what was going to come.

But even though this was not a Christmas Special, a 50th Anniversary counts for something. Even as The Moment makes him pause again, the other two Doctors with Clara in tow come to where he is now. It is heartbreaking to see The War Doctor want them to leave him so that he can do what he, albeit doubtfully now, still believes is necessary and Regenerate alone. But they accept that he is a part of them, after denying his memory for so long and they are all about to activate The Moment’s Big Red Button when…

Clara comes in and reminds The Doctor why he named himself The Doctor. The Moment too takes the opportunity to show all of them Gallifrey’s families and children. There have so far been two reoccurring themes in this episode. The first part of the episode starts at a school house with children in an English public school with its old private-school trappings. It is not unlike the Time Lord Academy in which The Doctor and so many others grew up. We see the children in the War. We see them at play in the sunlight of The War Doctor’s dusty memories. And then we see them hanging up colourful ribbons and streamers despite the destruction around them. We see something that we have not seen so far in this whole episode.

We see hope.

We also see women. It is no original idea or trope for a female archetype to be the helper or saviour of a male character. The Moment does everything she can to lead The Doctor to an informed decision not determined by despair. Clara reminds The Doctor of his purpose and is always his Companion. Elizabeth the First flat out states that arrogance typifies all men. Even the TARDIS, Sexy, won’t leave The Doctor in any incarnation. She even smashed down some Daleks like a Battle TARDIS. Where The Doctors act, these characters ask and question. And yes, they help save The Doctor from the spiritual damnation we’ve seen him struggle with since 2005.

In them, we see life.

And then a potential catastrophe becomes a eucastrophe: a happy-ending.

Between the three Doctors and all of their other incarnations–including the Thirteenth Doctor–they use the time-freezing technology used by the Zygons–the “cup of soups”–to capture Gallifrey and deposit it into another pocket universe.

In this way, it looks like Gallifrey is destroyed along with the Daleks. But Gallifrey is not destroyed. Through loops and contradictions and layers of Space and Time Gallifrey doesn’t rise, or fall, or die. It lives.

In the words of the Ninth Doctor, “everybody lives.”

The ages-old and weary War Doctor leaves, finally at peace and although his later incarnations lose all memory of this crossover event, he Regenerates. We don’t see Doctor Nine, which is a little disappointing, but this is not unexpected. Ten also leaves knowing that he will not remember, but stating that they need a new destination aside from the doom of Trenzalore. But Doctor Eleven remembers.

I am almost finished. Like a TARDIS, this 50th Anniversary Special is “bigger on the inside.” As Doctor Eleven wonders if they succeeded in saving Gallifrey, and ponders embracing Elizabeth’s role to him as the curator of the Under-Gallery he … meets or reacquaints himself with someone. At first, I wondered how this was possible and who the elderly Curator could possibly be. But after re-watching the episode to write this review, I realized that The Doctor can actually decide what face he takes on in his Regenerations. He can even take on old faces.

So when an elderly Tom Baker all but confirms that Gallifrey is saved and that the painting in front of them is called Gallifrey Falls No More. It is left ambiguous as to whether or not The Curator is a future version of The Doctor, or a possibility, or someone else entirely. Ending the episode with that gentle, wise lighthearted moment, with a potential Doctor without bitterness and regret and filled only with a kindly acceptance, changed the whole tone of the series in that one moment. And Doctor Eleven taking his place alongside his other incarnations with the First Doctor standing in back of them with his arms crossed is positively inspiring.

There is so much I know I’ve missed in this review and I have tried to capture all of it in something like a Time Lord-painting. There are those who would say that this whole Special was a cop-out: that it negated all of The Doctor’s experiences and that it leaves plot holes and weaves itself with clichés. But I think that now, this Special leaves a whole other level of possibility and paths yet to travel. I asked a question in the title of my Mythic Bios post. I asked “When does The Doctor stop running?”

The answer is that he doesn’t. The Doctor will never stop running. It is his nature to run. But he has changed. Because now, for the first time in ages The Doctor won’t be running from something. Rather, The Doctor will be running to his destination, to his end and Gallifrey and all the possibilities beyond it. Everybody lives, gentlebeings and now perhaps we can see The Doctor do that as well. Perhaps we can now see him truly live.

What Will Happen on The Day of The Doctor?

November 22, 2013 ~ matthewkirshenblatt ~ Leave a comment

This article and its contents will be time-stamped, but they certainly won’t be time locked … whatever that means anymore.

So in the immortal words of River Song, “Spoilers.”

After May 18, 2013 there was, if you will pardon the pun, a large moment of silence. Then, on September 28 after “The Name,” there was a name. For a while, after that, there were murmurs until, on October 19 Time itself became suspended as though holding its breath in a debris of lives and, from a mountaintop a green-hued sonic screwdriver is pointed at the skies. And like a released elastic band, Time speeds up on November 9 and war and chaos come spiraling towards us with the “premonitions” that a soldier claims do not exist. But I am getting ahead of myself because, before that on the same day, there is one more moment of silence before a plunge into the epic music and story of a man known to his foes as the Oncoming Storm.

And then we go back. Yes, we shall go back. We go back to November 14 from a countdown of Eleven, Ten, Nine until Eight on The Night of The Doctor when we see the fateful decision that forever shapes the numbers that come after. And just when we think it’s over, just when we think that perhaps we will only see fragments of a war and nothing beyond what will be seen, on November 20th we witnessed The Last Day of the Time Lords.

These are the main trailers and mini-episodes leading up to the 50th Anniversary Doctor Who episode “The Day of The Doctor.” So as “The Day of The Doctor” awaits us tomorrow on cable, in movie theatres and even on its own global simulcast, what do we already know about this episode?

Well, trying to predict Doctor Who is a lot like attempting to predict God in Terry Pratchett and Neil Gaiman’s Good Omens, because like The Doctor “God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.”

The above pretty much sums up my feelings on trying to forecast the Oncoming Storm’s episodes, never mind the 50th Anniversary Special. However, based on various clips, trailers, and the two web mini-episodes here is what we can put together so far in something like the strange Doctor Who puts, well, anything plot-wise together. First, let’s look at what BBC released with their hashtag:

“The Doctors embark on their greatest adventure in this 50th Anniversary Special: In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion.

All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him.
World, are you ready? #SaveTheDay”

Now, it seems likely that Doctor Eleven and Clara got out of his own time-stream and based on the small clips, such as their time at the museum, they are the ones in 2013. We also know, based on past episodes, that Doctor Ten was once romantically involved with Queen Elizabeth I (apparently married to her) and something happened between them that made her so angry she ordered his death. Finally the ancient battle coming to its conclusion, based on what little we know of temporal war and the fact that The War Doctor, played by John Hurt and identified as such in the credits of “The Night of The Doctor,” aged from a young man to a very old one seems to be evident, or at least to me. What is also interesting is that the Zygons, classic shape-shifting Doctor Who monsters, are also making their appearance in the 50th Anniversary Special along with the Daleks.

Whether or not they are a part of the Time War or they are after it is unknown. The fact that the TARDIS is being lifted however seems to indicate that Earth is aware of The Doctor again, or that U.N.I.T. is getting involved in what will most likely be a potentially cataclysmic event. Rose Tyler is also going to be with The Doctor, at least the Tenth one as his Companion before she is taken to an alternate reality, and she seems to be present with The War Doctor at The Moment where he destroys both Time Lords and Daleks in her manifestation as Bad Wolf.

And now we go further into conjecture, if we aren’t there already. I certainly know I am. For me, the fact that the white rift opens in the museum in front of Clara and The Doctor reminds me of “the cracks in time” that occurred with the TARDIS’ destruction back in “The Eleventh Hour.” At the same time, this is not the first instance in which Time has conspired to place The Doctor with his past incarnations when the need arises.

But I think what disturbs me the most is that, on Trenzalore The Doctor jumped into his own time stream. This is apparently something that no one should do, and most people do not survive it. For me, I suspect that there are consequences for The Doctor entering his own time-stream at the point after his own death and I think that the presence of The War Doctor is indicative of this. He is an incarnation that The Doctor does not like to acknowledge based on his actions during The Last Great Time War.

Yet I wonder if perhaps The War Doctor is in some ways a gate onto himself due to his psychic trauma and influence over Time past the apparent time lock around the events of the War and if by entering his own time-stream, in a similar way to how the Time Lords used The Master to bring Gallifrey and the War to 2010 in “The End of Time,” he has unlocked something incredibly terrifying. It would not be the first time that The Doctor has inadvertently unleashed a horror on the universe out of curiosity or a sense of compassion. After all, the Daleks were once trapped in their own City on Skaro and weren’t even aware of life on other worlds before The First Doctor decided to pay them a visit.

Aside from all this speculation as to how we can even see The Time War with the time lock (without going insane like Dalek Caan) and what is going to happen is beyond me and, frankly, I am overjoyed to see how this will all fit haphazardly and gloriously together. But there is one thing I would definitely like to see in this 50th Anniversary Special. I would love to see the Tenth Doctor’s response to seeing The War Doctor which will hopefully be different than Eleven’s response. Yet more than that, I want to see Bad Wolf Rose interact with Doctor Eleven and see her show The War Doctor a little more compassion because, if anyone deserves it, it would be him for doing what none of his other incarnations could ever do.

I am fascinated by one rumour however. We have already seen Paul McGann’s return in “The Night of The Doctor,” but apparently Tom Baker, who once played the jelly-baby eating Fourth Doctor, is going to make his own appearance as well. Whether he is coming back as the Fourth Doctor or in another role is a different story entirely.

Time always brings with it surprises … and this is especially true for Time Lords. And please, post your speculations and comments down below so we can predict how The Doctor’s day will go. We’ll see you in Utopia.

Fleet-Foot Tales and Hero-Glyphs Part II: The Celestial Voyages Fragment

October 29, 2013 ~ matthewkirshenblatt ~ Leave a comment

In our last piece on artist-archaeologist Josh Ln’s hero-glyphs discovery–or “Fleet-Foot Tales”–we discussed the possible interpretations and meanings behind the artifact entitled Conflict Amongst a League of Marvels. However, our work is not finished. In fact, just as we promised, we at G33kPron’s Art Historian branch are going to transliterate and analyze the next in a series of Ln’s discoveries: specifically Exhibit B or The Celestial Voyages Fragment. This was no mean accomplishment. In addition to utilizing the Mind Gem in order to understand the mental processes behind its creation as well as bolstering our own understandings of this matter, our Chief Information Officer G33kBot had to authorize the retrieval and usage of the Space Gem and the Time Gem as well. It should be also noted as with Exhibit A, we had to actually undertake the laborious tasks of repairing and restoring these Gems to fulfill their original functions.

In addition, unlike the Mind Gem and its greater … affinity with Exhibit A, Exhibit B’s unusual temporal and spatial structure–though hypothetically found in an unknown period of Earth’s history–necessitated the use of these three tools (and the Space Gem in particular) to … travel to various places and times in order to place matters in their proper context. So now that you know of some of our struggles with these “hero-glyphs,” dear readers, let us examine what we have learned about Exhibit B.

As you can see, there are three central figures in this sequential narrative. On the left is what appears to be a member of a mythological Elder Race: the Sidhe or the Elves. Certainly, the very bright colours that Fae beings are told to favour seems very much a characteristic of this being: whose actual name we have not been able to pronounce as it utilizes syllables and intonations unfamiliar to human vocal cords, mouth structures, or–even with Mind Gem augmentation– our current mental capacity. However, note his very direct–almost linear–bearing and the hand-gesture that he is creating with his left hand: the left hand in some cultures signifying a receptive element. At first, we thought that perhaps he is attempting to cast some kind of incantation or spell on the right-hand figure. However, the gesture itself–while seemingly questioning–can also be interpreted as either a greeting or a farewell. It can actually be seen as both of these elements simultaneously.

Yet there is that questioning aspect to consider as well. The Elf-Lord, if his pointed ears, gaudily-coloured uniform, the half-obscured celestial arch on the right side of his chest and his straight-forward gesture–with what seems to be indicative of a culture or mentality of highly structured oaths and promises that is incapable of lies (at least upon pain of death or the unravelling of the structure that keeps them from devolving into the chaos of star-stuff from whence they came), much in the way of the ancient Fae of Celtic and Nordic folklore and fantastic literature, there is the artifact on his hip to consider. It resembles a recording device–or a weapon of some kind–or perhaps something that has different phases of usage. He seems to be both questioning and asking something of the figure on the right-hand side.

And what a strange figure the latter truly is. After some translation of the hero-glyph, we have determined that he is a human figure called something along the lines of Tiberius. It is particularly odd given that Tiberius is an ancient Latin name and though the latter have obviously had contact with Celtic culture and even Germanics, there are other details to consider here. Tiberius is a hero and has the rank of something equivalent to a Praetor: a commander or a captain acting on behalf of another force. What is even more puzzling is that he is dressing in the same Fae-like uniform–of a golden hue–and he seems to be sitting on a throne: as perhaps a representative of an empire. Perhaps he is symbolic of a changeling that the Elf-Lord has trained, or raised to influence humankind from the inside and the deference that the latter shows Tiberius is merely a formality: one that belies his true power. Yet this is ignoring the fact that despite the throne, both figures are at the same height: indicative of some kind of–dare we say–equality. And then there are the other images in this narrative to consider.

Even though Tiberius sits on his throne, behind the Elf-Lord is a strange glyph of concentric circles and cylinders that appears to be some kind of vessel. Thus both sides have a power behind them: though the Elf-Lord does appear to be reporting to Tiberius. This vessel–which appears to be hovering in mid-air as something akin to a spiritual genius or something that happened, is happening, or will happen seems to be seeking something that is beyond the edge of the narrative. It is literally floating in space. However, both the Elf-Lord and Tiberius seem more focused–at this moment–on a bronze-gold predatory bird between them. Whether this is some kind of cursed artifact, or a symbol indicative of war is unknown. Certainly, the distance between them and every other symbol in the space seems to indicative a great peace or stillness, but a distant threat of war.

On the upper-hand corner of Exhibit B are three emblems arranged horizontally next to one another. The red symbol with its curved edges seems indicative of some kind of war-like passionate Meritocracy, the blue mirrors the emblems on the two figures as something more peaceful and distant–perhaps an open-ended Union encompassing whatever it comes across–whereas the last may well be indicative of a rising Star Empire. Whether these are other governments that the Elf-Lord and Tiberius are negotiating with, or the possible parallel pasts, futures and aspects of humankind is unknown at this time.

Yet what is really striking is the third central symbol on the upper right hand side of the narrative: the depiction of what appears to be a humanoid saurian ascendant over Tiberius. There are a few elements to consider with regards to the Saurian. He is facing the exact opposite way from Tiberius and carries the weight of a rock or another entire world in one bulky arm. It could be that the Saurian with its seeming brutishness represents the countless horrors and barbarism that Tiberius and the Elf-Lord’s Union faces in the stars. On the other hand, it could also be a threat that was already faced by Tiberius himself and conquered: but never forgotten. The fact that it is a Saurian being may also represent the reptilian Id of the human psyche that Tiberius–as representative of humans that are still evolving–are attempting to control, but unlike the Elf-Lord with the lack of such an apparent symbol above him, still utilizes as some kind of grounding or tie to the Earth and where they came from. Tiberius seems to remember his terrestrial roots amid his celestial voyages. Then again, the Saurian may just symbolize its traditional fertility roots in Earth mythology: or at least with regards to Tiberius.

The linear structure of this narrative is deceptive with all of these possibilities and the story continuing over the edges of the overall image. At the same time, while many of these symbols are in doubt and it’s unknown whether the Elf-Lord or the hero Tiberius are rivals, superior and subordinate, or heroic comrades, it is clear that they symbolize a kind of hope or redemptive narrative: as possibilities that have not happened yet. Certainly it is no coincidence that the three possible images of empires–perhaps reminiscent of Heraclitus’ archetypal symbols of humanity’s hydra of eros (desire), the more orderly shape of logos (reason), or the rising lion form of thumos (courage or duty)–is right above the Elf-Lord’s head. He is always cognizant of what Tiberius is capable of: and, perhaps, what he and his own kind are capable of doing as well even as they continue to voyage further past vistas of sentient understanding.

And though this story, like Exhibit A, seems to have no end in sight thus ends this segment of Fleet-Foot Tales and Hero-Glyphs. Stay tuned next time for our next segment: in which we will discuss the third narrative found by Josh Ln known as The Beatific Agony and the Secret College of Marvels and Daimons.

Josh Ln’s original excavated work and restorations of the rest of the “Fleet-Foot Tales” can be found, without translation, in Hero-Glyphics, Proof All Those Time Travel Story Events Were Real for the curious at your perusal and at your leisure. And, as we end this segment, we would like to leave you with these words we transliterated as best we could from the hand-gesture of our Elf-Lord friend, “Live long, and prosper.”

The Dark Crystal Author Quest

October 9, 2013 ~ matthewkirshenblatt ~ Leave a comment

If you were a child that was either born or grew up in the 1980s, chances are you watched the 1982 film called The Dark Crystal: a movie in which Jen–the last of the Gelfling race–undertakes a quest to repair the broken Crystal of Truth in the strange world of Thra while evading its many dangers and the horrors of the evil Skeksis and their Garthim minions. The world of The Dark Crystal–of Thra itself–was created by Jim Henson: the master puppeteer and creator of the Muppets, Labyrinth and many other shows and films.

The Dark Crystal is a world onto itself and despite talk about a sequel this world has only been expanded on so far in two graphic novels: Tokyopop’s Legends of the Dark Crystal and Archaia Entertainment’s The Dark Crystal: Creation Myths. In addition to Brian Froud’s The World of the Dark Crystal–an art book illustrated by the conceptual designer of the film itself which expands further on the actual identities and roles of the Mystics and Skeksis as well as the lore of Thra–there had been no other official creative forays into the world of The Dark Crystal…

Until now.

On October 1, The Dark Crystal Author Quest began accepting submissions for the next Dark Crystal novel. It is a writing contest created and organized by the Jim Henson Company and the publisher Grosset & Dunlap of the Penguin Young Readers Group–While the Rules for this contest can be found under the Author Quest Rules and Regulations section on the site, basically anyone can submit a 75,000-10,000 word entry–either a short story or chapter excerpts–to the Contest in order to qualify for review by the Jim Henson Company and Grosset & Dunlap. Then of all those entries, five writers will be selected and go to the second round where–with revisions and editorial suggestions–they will expand their story into a 50,000 word manuscript. After that process, and in the immortal words of Highlander, there can be only one. The winner of The Dark Crystal Author Quest will thereby receive a $10,000 book contract for the next Dark Crystal young adult novel.

This story is not supposed to be a sequel. It is a prequel event that occurs during that the time of what is called The Gelfling Gathering: in which the Gelfling people, once ruled over by the Skeksis Empire, realize what their overlords truly are and begin the process of creating the Wall of Destiny or the Prophecy that will one day liberate them. It is a time where the Skeksis still rule over Thra and have supporters among the Gelfling that they will one day commit genocide against. During this time there are seven distinct Clans of Gelfling, sixteen pairs of Mystics and Skeksis that are still alive and a lot of world-building toys to work with: found in both The Gelfling Gathering Author’s Resource and the still-developing Encyclopedia, Mythological timeline and other goodies at darkcrystal.com.

As I said, submissions opened October 1 and will close December 31, 2013, so feel free to join this wonderful Contest, or the official Dark Crystal website listed above.

As the urSkek at the end of The Dark Crystal film states, everything is connected. I myself am a participant in The Dark Crystal Author Quest and as a new writer to G33kpr0n I thought I’d be very remiss in neglecting to mention the existence of such a Contest. It is a rare thing for an established creative world to be opened up like a playground to prospective writers to make what has so far generally been fanfiction into a possible literary and fantastic reality. At the top of the page is The Dark Crystal Author Quest Panel from the 2013 San Diego Comic-Con if you would like to hear about some of what it is going on from the Contest organizers themselves.

Whether as a participant or an observer, or a dedicated fan or someone coming in new to the franchise, I hope that you get to experience the expansion of cult-classic mythos that has been so inspirational to so very many.