15: Alternative Facts: Unseen



“Good friends, Nobody is trying to kill me by violence or treachery.”
– Homer, The Odyssey, IX:408

Can you see?

Guess you glean what I did there. Nah. The problem is you can’t see by the sunset. 

Long fore, these small domes, our little sancts, our suntowns came something divise in the dark. But was always the sunsets. One eye turning way, the up-firm bleeding read, pink and purpled bruises, the orange of fire. So ease to get lost in the sight of site, or the site in sight, in the paint bathing everything the same, the light burning, making the shades so much longer, and more ease to hide in the gutters of sleep. A pretty dream. 

The real thing’s that it’s hard to where sunset starts, and the downtime comes. That’s where we lived. That’s where we died. 

See, or don’t, that our suntowns had wights – deadskins, you glean – in the lights, mourning in morning, and then wight knights at night. All Anon. It’s always Anon. They got to have that light to hide. To burn us above and bury us below. Then they used the dark to hunt. Making us sight and siteless. The beauty in their cold, dead hating-hands. They got to have everything. They owned all the colours. 

Bending the laws of light, that’s how they did it. All round they made the rite of invisibilis. That was it. That was the trick. 

You get me?

Nah. You won’t. 

They didn’t. See, they didn’t want to see us. And when they didn’t want to see us, they didn’t want to be seen. They were Anon. That was the coustume.

Til we took it from ‘em. 

Was what Freed Dome prob call approps. Aft we made for – and made – the Gulf of Amarak got made in the Second Disunity, aft Precedent Forty-Seven, and all the Repo Fiefs started to go away with their Gilder Booms, and their Eagle-Eyes, their Baggers and Speculars, their Wags and their fucking Nation night knights, we came like the Free Sancts after Summer Camp, like haints falling up and down the blews forever. 

We’re the blews in the read and wights. We kept the deadskins out while taking their breaths and trumpets away. We’re the colour that the Not-Sees never found – not even in the Demos Tripartite – and when we came Anon, hunters came hunted, if you glean. All those Not-Sees, and their vanceguards, and the knights and their Nation got learned to fear the come of Night. We’re the undocted that nope their Novax, calling their prophets profits, their traders traitors, bagging their Baggers, guiling their Booms, passing on their poison, slitting their Dragons, and smashing their ice. 

And no one gleans. Nobody, nobody stabbed them. You follow? 

Nobody found us. Not in the mourning. Not by knight. You can’t hear our songs. You don’t glean our dance. We’re silent to your ears. You can’t touch us anymore. You don’t get us. You can’t. 

You didn’t see us in the Freed Dome. In the Speculars and the Eagle-Eyes in your Interface. In the pits of MePo. You never gleaned us when the Repos rose again, and you never knew the Colour Revolve made approps. 

You don’t glean us. You never gleaned us. And you never will.

Now go. These are ghost towns, moving, unsettling, where killers kill those that kill, and we come from sunken lakes and sunless seas at Night to feed hunters free lunches of lead, to chain them down to finally hear us, to stay in what was first our place, for the final lesson. 

Go now, and accept that we gleaned the truth. Because we took back from Not-Sees what they had from Libertas. We cleave to inside-out bonds of lightning weaves to come free. Surviving is to come what you haint. We are Anon now. We took our sunsets back, where now we live. With her

Only she gets to see us now.

 And she is blind. 

(C) Matthew Kirshenblatt, 2025.

14: Alternative Facts: Body Politik


But see, amid the mimic rout,
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes!—it writhes!—with mortal pangs
The mimes become its food,
And seraphs sob at vermin fangs
In human gore imbued.

– Edgar Allan Poe, “The Conqueror Worm”

It’s Aft-Hallows. The treats are tallied. The white sheets pulled away.

The masks come off. 

It’s been many cycles since I searched the Freed Dome for that re-image. For that lost word. I walked through many Governs, Festives, and sub-cultics trying to find it.

Trying to find the true face of Amarak.

I’ve been gone long, deep into the Interface, deeper into the Land. And still, I didn’t know how one word would lead on, to the place of the Interregnum, and the heart of ultimate divise, of the Second Great Disunity. 

My parens always told me to bury the plague-bare. To avoid the Nats. A commonsensical. The Nats, the Novax, helped the Disunity. Ended the Disunity. But did they?

What is sickness? Is it just the body, or gleaning itself? So many words from so many places in the knowing space in my head now. The Rangers in the Badlands had a secret. Many secrets. In their Interface, sep and divise from the Repolitik, I saw a legend. 

The scholars of the Freed Dome Collective said that the Forty-Fourth Precedent was the last. But there was word of Forty-Six. Fore the Novax, the legend says, they said Two Teeth held Amarak, barely, two pinpricks of an old man. Two teeth, and four, keeping back the blood red tide. An in-oculate, a grafting, against disease. The Predicts say two women could have saved the Politik, fore and aft.

That was when the Novax came. The true Novax.

They did not see. They refused to see anything.

There is another view. We never had Precedents. Only Presents. A Forty-Sixth Present of the Demos, beyond the Forty-Fourth,  tried to save us from the sickness coming. But the Land has always been tough soil. Tangled. Twisting. A morass. The Repos, and their Fiefs and their Barrons called our Land a Swamp. And they never fallow, but always grow it. Ever-growing cycles. Revolves. That seeming’s that Aft-Hallows has always been a Colour Revolve: an Orange Revolve that tried to rule Time. One look between the veils, a moment, a box opening is and isn’t, death and non-death … 

And then, no more Present.

The Rangers have an old saying. When the death birds fly, they make no eggs. They also have another saying: the Orange Revolve is always led by Red Caps. The Freed Dome Collective is fallen. The Tripartite squabbles. Secret festives. Opportunes. Eagle-Eyes everywhere. The Interface compromises. The factions are occupied. It is only the start.

I think about what I gleaned about the Nats, and the Novax. And I see. It has never been Nats. You can’t run from something that isn’t there. And the Novax isn’t just sickness. It isn’t only a disease. Two Teeth cleaved the red deep under the binding of the blue, but it could only do so much agont the rot underneath. Agon the maggots. There is no cure, no in-occulate for the chronic Revolve. Death’s greed for life. For hate. 

And this answers my query. We didn’t know. We did not learn. There was no Present during the Interregnum. No real Present Aft. There is no real Present now. Just Ever-Now, for Amarak. 

(C) Matthew Kirshenblatt, 2025.

13: Alternative Facts: Can You See

It’s Fore Hallows at Freed Dome. 
It’s Fore Hallows at Bost. 
It’s Fore Hallows at Blunder. 
It’s Fore Hallows at Sancts Lost.

If you have to ask, 
wear a mask,
better bearer than bare
against the Nats and the Novax,
and the Fall of the Ere. 

It came from Sunder,
it walks in Nomens, 
and travailed the Pasiph League,
the world, the veil, the scien of Predicts,
from here and back it will leave its mark,
it will always bleed.

We member the days
Fore Hallows, it will not die.
It doesn’t long to Hate or Gilder Boom,
no matter how loud they cry. 

Fore Hallows is ours, from Cycle to Pride,
and Badlands far from sun
it comes to gain the oldest harvest 
and the Land, Folk, Fire that we have won.

Fore Hallows, fore State, and Trunk, and Ass,
we wear, in air, our mantles, always, from the time
fore score our face and words come frozen by this rime.

Fore Hallows never cesseeded 
into the glare of blue cover, the white sheets, the plague-bare 
suspended all twili, and grey, 
though its treats were grim, and cold tricks came its faire
come fallen where they lay. 

This is why, past the Dark we don’t member,
we will always ask 
that every Cycle, tween the Poles,
that we parti-pate a Great Unmask. 

Populli, Fore Hallows, ‘tend to be things
but let things not be populli, Abominate upon boght wings. 

A hush wind breath blows not in the bellows 
of louder miens  and means thrown down,
it might be now the time of ere, and auctumn
but ne’er forget the Revolution of the Orange frown.

Fore agon the idea in the making of hollowed leaves a crown,
and member that Fall every populli shows and knows
that the Precedent wears no clothes. 
Recall the Broken Star on a stalk of holly,
cover your breath, but not your eyes from this great old folly.

Fore Hallows now Hindsight,
Fore Hallows the Festive of the Open Track,
Fore Hallows for good or ill, 
let it be the begun again the Doom of Amarak. 

© Matthew Kirshenblatt, 2020

12: Alternative Facts: Natural Medicine

“Physician, heal thyself.”
—  Luke 4:23

It’s a caution: of the boogey.

“Beware the Nats.” The old tales say. “They carry the Novax.”

Back cycles ago, no other chill was strongest than a call, or word of Novax. Fore the Disunity, and the Interregnum, and the supposed “Great Reunity,” a people went their own way. They believed the Land — all of it — healthy, holy, sacred. That all that grows from the ground is good. And all that came from making and artifice was sick, unclean … cursed. They espec feared the start of aughts, or a state of oughts: running from them, making themselves Sep from techne, from gleaning, that everything of the Land would save them, that all other things were poison.

They looked to find Dise, and discovered Doom instead.

They made themselves no defense … agon the old horrors. They were not immune. Droves of them, the old tales said, from Mas and Fem to their childer, dropped. They were all over every Land, as well as our own: not just in the South but the North too. And that was the most abominate of all.

Where they sat, ate, drank, shat, coupled, or stilled they brought it with them — the Novax — sickened and killing all people with them. And it spread during the Interregnum, just like they did, into the Repo Fiefdoms and the Demos Brigaders and away from them. When the Disunity happened, they fled. They left — becoming Resists — even during the Unquiet in the most distant parts of our Land: trying to get back to the Land, the old tales say, to the soil, to everything that grows.

That’s one way why, after a while, even though they once proudly — vainly — named themselves Novax, they became called the Nats.

They should have died. All of them. Espec during the Dark Times when medicine was low, for everyone, on both sides of the Wall.

Many found were purged, the ones that didn’t fall on their own. We had our own Reunity, made our medicines and techne for our defense. So many sick, then, and dying, we drove the plague-bares fore they could spread into our Prides, our Spectra, from the Borders into the deepest Badlands. Many went on their own, for new Land: to be isolate. Pure. They never came back. We thought it was over.

We still use the Interface. We glean there are still pockets of their spots in the North, even in our Lands now. Some even try to adopt into our Prides. We deal with them. But the plague-bares, the Great Infests, are mostly old tales now. Old fear fire stories to scare childer.

We were born of theory-head, of Sacred Thot, when they made Mas bleed.

We tell the other Spectra what they need to glean. It was why we were born. Agents of the Heterodox are still in us, and sometimes the Joys and Llangs still listen, even now when they are playing HetSoc. Utter abominate what they will do. We do not need mech-wooms. Our surrogates, our Vessel of Trade, between the loyal Prides do us just fine. We’ve not the numbers to deal with that infection in the Spectra, just enough brethren and sestra left behind to fight the Traitors, to deal with the soul — the purity — disease.

We were the scourge. We burst their pockets among others. Stamped out their spots, and drowned their flesh-fires. Sent a few back to the Heterodoxy and their Dark Age. Sent more to die in the Badlands. Long, the Heterodox claimed we were sick, but they made us sick, made us swallow the sickness they didn’t want, made it internal in us. But this — we would not countenance this. We …

Those calling themselves Novax were purged by our own fire. Our Prides buried their fallen. The Nats were exterminate. We spread only word, and sight: our historia made safe again.

Yet now, brethren and sestra, is the truth. We were born to tell and fight. To purge. We were gleaned that Silence is the Foe of All Spectra. Of the HetSoc and their Heterodoxy. But here, now, we take the tool — the other armament of the Oppressor. We use it to prevent the spread of the Willing Sickness.

Again, the Nats — their infest — lives. It has become adapt. They are still adapts, even in the middle of the Badlands that kill us when we go in too far. Maybe they were left in the ruined Domes, deep in the Badlands. Maybe Domes are caerns. Toom-woom incubae, spreading infests of the plague-bares. Somehow, even now, they grow. They rise in isolate, and move out. Just coming into their Resists enough to catch the dread Novax. They do not fight. They never have. They are have strong Resist. Their bodies keep the horrors in them and fight for them, agon us. They are even dangers when they are dead. Espec dead. In numbers.

And we were made, from blood, to fight all Sickness. Our fore goal.

We are still Mas and Fem, Monog and Nonmonog strong. We try. We must be main the scourge and the flame, the word and the silence. The infests, the Resists, go deeper than we glean. We keep this from the Joys and the Llangs and their toys, the Binary and Trans Gen Traitors: Heterodox agents and infests of Poison Mas that will one day be Sepped permanate. Most of us stay here, near the Badlands — deeper — our lives sacrifice. Many have joined the Nats, the Novax taking the body but not our purity. Our hearts stay with the earth. We must memor our oath agon the dangers, and the tribuls. We must bring it all to bare.

We are the fire that Climbed the Walls of Sickness. We will keep the Prides Liberate, and destruct those that turn on us. We will keep back the Sickness made by the Heterodoxy. We do what we must to guard the Spectra, and keep it all clean.

We are Meides, and we have Hearts of Stone.

(c) Matthew Kirshenblatt, 2019.

11: Alternative Facts: Among The Populii

“The lady doth protest too much, methinks.”
— William Shakespeare, Hamlet, 3.2.

Bowing the knee. Showing the Old Ways. That’s what you want to we to see.

I glean better.

Welcome to the Free Sancts of Amarak. That’s we. Not the Repolitik. Not the Tripartite. Not the Demos. Not the Grass. We. Amaraki.

Amarak.

From Freed Dome? I glean it. Your bow was too rated, too much for show. Like a glad-fighter from the Repo Arenas of old. Like anything from the Cap. But it got our Eye. And I glean that you come for the Childer of the Secret Motive.

Come.

We glean why you’re here, I see. The mask of a Loyalty Test, of the Pledge. There are no antiq-IDs here. No ethnoi outside of MePo. We haven’t gleaned a Dead Skin here in cycles. We, all of us, are just “One-Backs.” Ha. That’s what they called us, once … and even now, in the Borderlands.

Ha. We’re North, but we still glean the South, the Borderlanders and the Badlands. Our Interface’s just fine, thank you. We mind our Border here, too: between the State and Nomens. That’s part of the Test, right?

We know our historia. Don’t mind talking it to you, while you’re here. After the Forty-Fourth Precedent, everything went to fuck. No other way to talk it. Many of we, memor our history all the way from the First Disunity. We had Motives then, too. From Underground. For the ethnoi. Ones not taken by Repo Gilder-Booms for shot-pract, or slaves by the Baggers.

The Demos Brigaders kept moving to Freed Dome, then. Left we, and the rest in other places to take care of the ethnoi that couldn’t pass, the Rainbows and Prides that couldn’t run, or hide. A few lived with we. Most we passed: to Nomens.

I glean your face. We memor the Beast of Burden. We are it. The Cap, Freed Dome, takes on the Five-Point Arms of the Gram. Others think themselves the Sunbird. Cocks. But we’ve always gleaned what we are. No shame in that.

We were the Demos, the first patch of Grass when the Arm of the Demos laid itself down. Some called us Arns, working with Nomens, with the Razor Leafs. Poisoners from the South, those not our sibs: Repos and Cons, all of them.

Damned Red Caps.

But the only way we were Vivalists, like the ones in Nomens, is that we wanted to live, and no one to die cause of skin, or the stuff tween legs and chests and necks, and minds. Mostly, we’re just hardworkers. Blues. The first meaning of the word.

Even then, we gleaned what’s what. Blue always needs be on top, keeping the Red down. Red needs to stay inside, not out. Might bleed all over the place, otherwise. Might burn everything. Like it did. Has a belt of stars too. You’ve seen it. Binds the Red under the Blue in good govern.

When we first fought the Repo Fiefs — the Great Fief of Hate — cycles ago, past the Second Disunity, into the Interregnum, a Predict came up with some lines. Went something like this:

When Turtle Isle is broke,
and from its shattered shells, the blood is woke,
the Red will Spread a drumming,
be wary: the Red Caps are coming.

Has a ring, right? Only thing worse are the plague-bares … The Nats. Not many these days, here, after the Purges. Still … During the Interregnum, when all the Weather Domes were down, the Repo Fiefs’d attack us. Again and again. Damn right we cleaved to the Vivalists from Nomens. Sanest there were when the Brigaders left us to ourselves, when they weren’t in divise against each other.

Nomens used to be named something else, called after the lines of a Predict of She. When the Repolitik broke, and Turtle Isle turned underside down with the Weather Domes all burst and broken like childer all shelled out on its belly, Nomens was the only one left. We memor. Sunder left the Pasiph League cycles fore, cross the Ocean. One thing the Red Caps hated more than Nomens were the Pasiphs.

But when Sunder broke away from the League, they left a whole: one that Nomens joined. Nomens had us. Like I said, we are all Vivalists. Nomens helped us, the first Grass, and the Demos. Took some time: not just Underground this cycle, but also from the Water and Air, these Motive Paths we show you. And Nomens had its own Fjord, with its flight of Razor Leafs — red through the snow — to cross. But we did it. We brought Amarak back. We do not forget who helped us.

Just like we took ethnoi cross to Nomens, even when the Cap of Freed Dome was made, and spent more time coming up with MePo — with melting we together — and their Hate Speech Accords to actually feed we all. So don’t eye us down. We memor the way the House came silent — came the Still House — even when the Demos spread through it like the Grass it said it still was, with its ties to the Land.

We also memor the Childer’s Contracts, and the many Scapes from Turtle Isle we aided. What would the Burning Library of the Grass have gleaned, when she spread through the Little House like wildfire, or the Graceful Voice, the Defenser Who Halts All Walls?

All Predicts of She, those who would have gleaned what it is to bow the knee.

Don’t talk to we about loyalty. We glean our place, even with your Cis-Trans War and the Repo hate cults at the borders. The Cap gleans our place in historia too. To do what we must. They can pay to be beyond Gen, and play their Opposing games. If you’re truly jects of Freed Dome, perhaps you laugh at we. Some think our Beast — the one that carries we, all of we and our burdens — is made of gold. A fine ass.

But there’s a reason why breeding our Beast with other, faster, gilder beasts makes mules. Smarter, perhaps. Or so it gleans. Longer-lived. But … truly sterile. Jects, not of populii.

And now … you come to we, bowing like we did to show our member in the ancient Motive, to make us see your gleaning, do you know the mean?

There are many reasons to bow the knee. You say it is to learn, from us, but in this cycle, in these times — in all times — there are other Motives where that is a part:

To obey, to respect, to perform … or to defy.

So where, on what Path, in what Motive, do your loyalties lie?

(c) Matthew Kirshenblatt, 2019.

Peering Back In and an Update

I think it would be an understatement to say that I haven’t written here in a while.

There’s a pretty good chance, in fact, that I’ve even said this before. I remember when I used to write on Mythic Bios a lot. And when I mean a lot, I mean every single day. Then it became every other day. Then every two days, and after that, well …

Life happens, I guess is the best what to sum it all up.

How do I even catch up at this point? What highlights can I share with you?

Well, I can tell you that I’d been working on two very long pieces of fanfiction on A03. Both of them are set in the Fate/Stay Night universe. One of them, Fate/Stay Unlimited Bullets is finished — despite the errors I keep reading over and correcting — but the other, the longer one, Fate/Stay Life has gone into something of a hiatus. I know how I want to continue it. I know what parts need to be elaborated on. And I also know that if I sit down with it again, I will be able to continue more or less from where I started. But Unlimited Bullets really took a lot out of me: more than I thought. And given the content in FSL, I suppose it makes sense that because of a transitional period in my life it does make sense that I’m taking some time away from it. I do plan to come back to it, this 96 chapter monstrosity and ongoing thing mind you, but not right now.

But I know there are a few of you, who still read this Blog, that aren’t here to hear about my fanfiction, though you can definitely feel free to read it if you want as I am Ma_Kir on A03.

I’ve thought about writing more Alternative Facts short stories. I even have ideas and words and turns of phrase typed out in a draft somewhere. But … I don’t know. I just haven’t felt the impetus to continue for a time. Between having to find the right epigraphs, really focus on the language I’m creating, and think about what’s … going on, or could have gone on in Amarak, and just how derivative it all is, it is a lot of work to go through. I find that the stories don’t really work on their own, but you need to read through all of them in a certain order for them to get … some idea as to what is going on. I find it’s not as accessible, and I wonder just how good they really are when it comes down to it. If I have a story that is really pressing, rest assured I will share it with you. If not, they have been an interesting experiment in speculative political fiction.

I am, however, working a lot more on another universe. Actually, I have been working on two: creating one, and participating in the continued development of another. My original universe is derivative as well, with a Frankensteinian mix and mash going on, as these things go, and I hope to write two more stories in the series before attempting to get more readers to look at it. I play with horror archetypes and subvert a lot for human stories in that world. I hope them to be more accessible and while world-building is happening as a result or consequence, it is really the character interactions and more relatable characters that are forming that I hope to have stick. I look forward to sharing them, one day.

As for my other endeavour … I’ve written about 20th Century Boys before on this Blog, a long time ago now. In that manga, a group of children created a game — a game of make-belief — where they are a group of heroes fighting against the forces of evil. They made a whole mythology that someone, years later, adopts into an evil plan to take over Japan. I’m not really involved in something like that, but I can relate very much to a project or a world built between friends from childhood, and watching it grow with us.

My friends and I have been playing a homebrew world our DM created long ago for years now. I started playing it, with them, in 2001. I played one character from 2001 to 2004: developing him from a slave to essentially a demigod at the time. It was this process of collaborations and player verses player sessions, as well as solo sessions, that helped develop the game from a science fiction derivative to a more unique and quirky epic fantasy world. It isn’t entirely accurate, of course, but the the gist of it. I played again in 2005, as another character in the same world. Then I was gone for … about eleven years until 2011 when we continued the game where our old characters more or less became gods, and we played new characters in that world. And then, our DM made a multiverse in the form of various campaigns with these characters and elements which figured into it in 2012-2013 or so. They were fun in themselves.

I’ve roleplayed as wizards, mages, necromancers, sorcerers, alchemists, artificers, and the like. I have even been an assassin and a cleric at times. But the funniest thing is that the most enjoyment I’ve been having as both a player — and as a creator — is my current bard. I attempted to play a haunted bard in a Ravenloft campaign, and wanted to really add poetry — as an imitation of singing, or playing an instrument — to bring the bard to life. I had a choice, this current campaign and going back to our mainline homebrew world to either be a bard again, or a monk: which was another class I’d been thinking of trying out.

But I decided to be a bard. There was another game we were going to play where one of my characters in a faction setting was going to be one, and I just liked the idea. And she developed slowly from there, from a concept to more of a person. It’s funny. These days I tend to play female characters for some reason. Maybe I attempted to do so in 2012, to differentiate one alchemist character from another I was playing in a D&D campaign with my same friends. It … didn’t go well, for that character, and it impacted my experience.

But then in about 2016 or 2017, I tried it again, and I find I really like these characters. And my bard is one of the best. I have been writing whole epic “Ballads” of our adventures and certain world lore, in an attempt to spread information and misinformation on the world: to unify factions to deal with a greater evil. But I find I really get a lot out of this game writing these Ballads and actually reading them aloud in session. I haven’t really read anything I’ve written aloud in a while, never mind write something out by hand. I find it does affect the game, and not just because the DM gives us Inspiration or sometimes some bonuses, or even in my case EXP.

I just feel more immersed in that world. I feel like, when I write stuff like that, I am accomplishing something. Between that, and my own original creations … I could seriously live my entire life doing something like this. I wish I really could. If we ever made a studio, and I was asked to be a writer for it, I would do it in a goddamn heartbeat.

I find that the issue with my life right now isn’t that I don’t know what to do, or what I am doing. I do know what I want to do. Often, it’s just the world that won’t cooperate, or do what it’s told. Lol.

More realistically speaking, I just need material to work with, and collaborators, and people and resources that can help me make something tangible that will … support us. And the focus to do so, along with the determination in a hard, ridiculous world to keep going.

I’ve accomplished some other things too. I wrote some letters that got published in comics series. I’ve helped edit, and even make some character concepts for my friends’ — my role-playing group’s own game — Ankle-Biters: Pixies Vs. Gremlins game. And I wrote a Sequart article about the film adaptation of How to Talk to Girls at Parties that got retweeted by Neil Gaiman himself: which made my day for a really long time.

So I have not been completely idle or brooding in this time I’ve been away. Sometimes I think I should take my friend up on his old offer and see if I can redesign this Blog and make it look less … choppy, and plain with its ads. And maybe with something more substantial to offer besides my nerdy speculations and fanfiction, and the occasional story, I can build something more noticeable. Perhaps there is a way to get my works to interrelate. That would be sweet.

It’s been a stressful time, in an uncertain age. But I just wanted to write here to let you know that I am still alive, and I have not forgotten this Blog: or you. Hopefully, we will be seeing a little more of each other, if not here then elsewhere. Once again, thank you all for reading.

Alternative Facts: An Alternate Perspective On You and I

This is one of my first Mythic Bios revisits today. I said before that I didn’t conduct my examination of Alternative Facts in order. And now, to complicate things even further, I realized I actually forgot some things and instead of adding them to my previous entry, I thought about it, and came to the decision that these elements deserve their own.

In my last article, I mentioned how the first draft of “Lost Words” didn’t really work. The spirit of it was there, but it wasn’t really direct. I wrote about a few reasons why it had issues, and while most of them were structural and still trying to figure out what they were beyond a gimmick or two, there is one major change between the first and the succeeding drafts.

The first draft of “Lost Words” was actually in first-person. The narrator, who was a student academe, was talking to their teacher. They are separate from the reader, they and their teacher at the Freed Dome. The entire situation is outlined for the reader through the dialogue and some small description on the part of the narrator. In a way, they are basically telling you what is going on more than anything and as I said in my “Alternative Facts” analysis, it is a more “Gee Willikers this is the World, Batman” dynamic and feeling more than anything else. In other words, it felt cheap. It felt like, as I said before, a gimmick to sell one idea. And some of that is fair as I never thought there would be an interconnected story after this until a friend of mine said all but said they wanted to see a story about the Repos that survived their official disbandment and their exile from the main State of Amarak.

The first draft wasn’t even a Word Document. It was an inline text email that I’d sent to my girlfriend at the time, and then my friend a few months later after we reconnected. To be honest, I even forgot about what literary perspective I used. For a while, I even thought I wrote it in third person limited perspective because there were two characters having dialogue with one another. Talk about degrees of separation and cognitive dissonance: thoughts that are appropriate given the title of the series, and the times that has inspired it.

I don’t remember why I chose to rewrite it, and then rewrite and write the succeeding stories in second person perspective. Second person perspective is not a common literary narrative point of view. It is the kind of thing you would expect in a Choose Your Own Adventure book, or a video game, or the post-card fiction I was told about by my World Literature teacher back in Grade 13 or OAC. I thought it interesting, and I played with it when I designed Twine narratives and even some of my own Choose Your Own Adventure and Roleplaying Game experiments back in the day.

But as I planned to hone the story down … you see, it’s clever. Not me, but … one of those age-old exercises you always get in literary classes is to determine what narrative perspective you are using. And even as I reviewed my stories for this article, I see how tricky it is. Technically, “Lost Words” is first-person perspective. However … the narrator is talking to an audience. They are talking to you.

It isn’t as clear, perhaps, in the first story but from “Freedom” and onward, while there is an “I,” there is also a “You.” Certainly, Alternative Facts stories like “View From the Badlands” and “Beyond the Wall” actually have specific narrator characters, and the others have a clearly delineated group talking to the reader-audience, to you, but that is just it, isn’t it? It feels as though they are talking to someone. There is always a you in this narrative.

Even in “Lost Words,” there is a general “you” when the narrator talks about their research into the past. This tenuous link between the first and second perspectives in the narrative, arguably and from my obviously “unbiased” opinion, makes it so that you aren’t only watching an interaction, or passively having the information revealed to you. The idea is that you are involved in the process. You are supposed to be immersed in this world, through this pronoun become a verb. You aren’t separate from it. This isn’t another place or another time. And even if it is, you are there with them: actively discovering this.

Of course, you have to suspend your disbelief or pique your interest to do this little bit of roleplaying. You can remind yourself that you aren’t in this. That you are beyond it. But as I think more about it, in this convoluted way, given the subject matter about politics and horror, and the movement of a world, what is the difference between “I” and “you.” I refers to one’s self, but when “you” is used it refers to another. It can be exclusionary, but it can also be inclusive, an invitation, a realization that one is — that you — aren’t separate, but rather in the same place. Maybe not in the same situation, but you have that invitation to being invited to being a part of the story, to even the illusion of actively exploring it.

I’m looking at what I’ve written already, and I wonder if there was any point to it: if I have actually communicated anything worthwhile at all. I suppose, if I really look at it, the way that Alternative Facts takes “I” and “you” sometimes makes them distinct, but also makes the boundaries between them finer … almost erasing them entirely. It takes some doing to see where one ends and the other begins, to see which one is true, and which one is not. It gets muddy, and a bit unsettling even to talk about: and not just because of the strange hodge-podge language.

And maybe that is the point. Or something.

10: Alternative Facts: Summer Camp

“Sometimes by losing a battle, you find a way to win the war.”
— Donald Trump and Tony Schwartz, The Art of the Deal

You’re back. You came to us, to the Badlands fore, cause you wanted our historia. Our mythologia. The mythologia of the State. Of the Cycle. Of Amarak.

To think your search started with just one word. I recall wording with you about the Cycle of Opposing, and its roots in the mythologia of Ground Zero. About the ethnoi, and ethnos. About the Disunity. About divise itself. Opposing, and divise start inside. You glean that. But it goes outside, too. It has to.

You found the Climbers. They told you, worded with you, about walls: about where they come from, how they form, and what they do. We traded lore for lore. You were told no Wall was made in Amarak. The Wall was always there.

Once, as the Pains of the Hidden Lady told you in Repo Land after you walked the zigzag path of the Hidden Festive, that they worshipped Libertas. And the last son of the Eleuth told you of how his lost Maters and sestra Pride named themselves after the Lady of the same name. Even now the center of the Repolitik is called Freed Dome: what our Land, this failed Rene Project, was supposed to be.

But that was Lye, as the Repos call it now, in the end.

Amarak was always a prison. And if there was a god of prisons, if it ever had a name, it would be the prophet of profits. Or the profit of prophets. Or the edicts of predicts, and predicts of edicts. Most populii came to Amarak — birthed Amarak — to serve, to live, to die: made by Europa to be monster, and labrys cleaved together. That is the story here.

The mythologia of the Sancts.

It was said to have happened after the Cycle of the Forty-Fourth Precedent, fore the Interregnum, when the Repo Party ruled. Many other States burned, then. Ethnoi were purged. Populii died. Amarak was free. It was a Sanct. It was made of Sancts. But those Sancts were iron vaults. They were lost time. Dark. They were prisons.

Amarak was a prison.

The Repos always talk about earning freedom. Their Gilder-Booms talk of sacrifice. But they have other words too.

It’s said that when populii wanted to flee their State, to come to Amarak, they could stay. They could be a part of it. Like the Amaraki of old. For a price. The diablo’s gamble. The Bargain.

The Bargain has been here as long as Amarak, throughout every Repolitik. Every Cycle. From the beginning of the Cycle. The terms just change. The stranger, the ethnoi, can’t pay to come in. They are feared. Hated. They are in divise with the State. Some try to, in the words of some of the Prides, climb the Wall, and they fail. Or they do it, facing the mercy of the Law. Of freedom. Of Amarak.

But Amarak is a prison, and a game. And Laws are Rules. The Coustume Guardians have ever been their enforcers. It’s clear. You can enter, or leave. But when you enter, you will be a part of that prison.

And your children will go to camp.

Fore the Interface, familia were sepped in the Dark of that Cycle, snatched away, placed in cages, in grey and metal. Not allowed to see their familia. Not allowed to play. Or touch. Or be touched by Amaraki Caretakers though, sometimes … They were.

It’s said that the children were supposed to be released fore long. As were their parere. Some were. Some never saw their familia again. Some never saw the children again. Or their camps of simmering summer garbage ruled by ice. These child prisons. These child Sancts.

The true Interregnum, the Dark Age, began with the silence of the child Sancts. When the Second Disunity started. Most of the child Sancts were under the so-called Great Repo Precedent, where it was said that work set them free, one way or another. Others were taken by Demos Brigaders and their princeps, the children freed. The populii wanted to bring down the regime. Others, were still lost. It’s said that even now, a thousand years later, there are still parere looking for their children, children wandering for their parer, forever sep … And others, even now, dwell in the husks of the Sancts, lost to the labrys of a lost Repolitik, starving, lonely, angry, and isolate.

You’ve been to Freed Dome. During the Reunity and the beginning of the Tripartite Repolitik it was built on the ruins of a tyranny, made into a Collective for young academes, Affirmation Groups, and visitors. It was made Sanct, one of many to memor the atrocities of the Lost Sancts, just like the remains of the Coustume Posts and their flower gardens. Some Sancts, in the former Repo fiefdoms, remain as more ruined memors, while others are cities made Reserves for “exotic” antiq-ID ethnoi, or those that grew in the Sancts. Over time, during the wars and the retreat of the Repos, forgotten by them and the Demos, the children of those Sancts grew, and traveled.

There is another story as well to tell. There is mythologia we have made collect, from our Eyes in the Interface, from the Badlands to the Borders, that some of the Sancts still remain: that they have made liberate themselves over many gen. Some may have met each other throughout, embraced the silence that killed so many, and become Co-operative. We have heard a few whispers that perhaps some, called the Free Sancts, actually exist: beyond Repo and now Tripartite Repolitik gleaning.

If true, they don’t seem to be on the Interface, Markers, and all. But we want to glean them as well: to glean their historia… their own mythologia. The Gilder-Booms would have you know, by their own coustume, that their children are made hallow by the armaments to which they have destruct themselves, and others. But if there is any hallowness, any heroism, in any of this, after all this time it’s that true sacrifice is what the children of the Free Sancts suffered, thrown away, used, destruct, or left to keep the Wall — the Prison — of Amarak alive.

But if they live, beyond this, without the control of the Repolitik, then perhaps they did it, broken away from the Cycle. Perhaps they did win the war that the Repos lost despite them.

Maybe now, they really are what Amarak should be: children in summer. Perhaps they are the children that are now, truly, free.

(c) Matthew Kirshenblatt, 2018.

9: Alternative Facts: Beyond the Wall

“But one man’s golem once grew so tall, and he heedlessly let him keep on growing so long that he could no longer reach his forehead.”
— Jakob Grimm, Zeitung für Einsiedler (“Journal for Hermits”)

I was a Llang. I am also Mas. This is my Test on this Interface during what the Heterodox call the Cis-Trans War.

My sestra, part of the Queen’s Pride, we knew about the Spectra. But we were Sep: Deep Sep. Our Fore-Climbers, they believed in the Lady. The Lost Lady. We left the Walls of the Heterodoxy behind us after the Maters met with the other Prides and made the Spectra. Our Maters and Ladies would talk to the Joys and the rest, while we lived our lives Sep to heal: to heal from Mas turned poison — Poison Mas — by the Heterodox.

We embraced the ways of Fem, in our land, deep in the Borders. We farmed and wove like the rest of our small Pride. The Llangs, our Queens … our Aunts, our elder sestra, were hosts. Our line took on another path, another name. Eleuth. We … we were Eleuth, after our Lady. I still believe in her, even now, even after everything …

I was divise. I couldn’t help it. I felt … divise, but not Joy. Never really Joy. I’d never seen one. Few of us did, until that day … Even now, it is hard to say how I gleaned it. I just felt it, even as a child. My sestra Eleuth, they didn’t judge me. That is not the story I am going to tell. They knew I was divise, diverse, but of them. I was still borne from my Mater, my Maters … after receiving the Vessel of Trade from the Joys and Mas Binaries beyond our small proper: the way most of us are made. I was still their child by the Accords of Life, agreed by the Spectra over a thousand years ago. I was still part of my sisters.

The Eleuth do not hate Mas. They did not … They did not have agon with me. They loved me. Even though, by the rites of our Pride I knew I would have to leave one day, I knew I was not poison. I became their only son. Their child.

We knew nothing about the War. I grew and found a wife. We were going to have a child together by Trade and the Accords of Life. Of course, that was the point. That was what changed everything. The Eleuth couldn’t have us stay. Even so, we had their blessing. We would go to a new Pride. They were going to prepare a Leavetaking for us. It was sad, but joyous. A Sep of another kind. But there was acceptance. We were in the middle of it, when …

The Meides came.

The Eleuth rarely ever saw them. I’d learned since, why they were made. The Gen-Que, those I’ve met, said a thousand years ago — when the Spectra was still young — they feared attack from the Heterodox. Even in their Disunity, in agon with each other, and after in their Interregnum when they were just healing, as we once had, their disunities threatened to spill over and poison our land. We fled from them once before, before the Second Disunity. We needed protection.

It is said, by the Gen-Que, that they helped the Spectra make the Meides. Brethren and sestra to work for the Spectra, and all Prides: chosen for strength, and passing on word to each Pride and its smaller Prides. They were to fight the Heterodoxy and the Heterodox. They were to find spies. They were to send word and defend us if we were under attack. Warriors and truth-tellers, the Gen-Que told me later, their hearts to be made of Stone the Gen-Que said, to their everlasting shame. That was how the Meides began.

The Meides that came to the Eleuth, to the distant sestra of the Llangs that day, were filled with Joys and Llangs. It was the first time we’d seen Mas, of any kind aside from … me, in our land in cycles. I could smell the discomfort, the … fear from my sestra. If there were Trans-Gen or Binaries among them, they were quiet. The others were not. They told the Maters of the Eleuth that there were Traitors among the People. That the Heterodox was poisoning us again, causing trouble, and war.

They pointed at me. They saw me and my wife. They said I was Heterodox, that I was infected with Poison Mas — I was Poison Mas — and that they needed to take me in: that I was a Traitor to our Pride, and the Spectra. The Eleuth couldn’t glean it. It didn’t make sense. We are … we were Sep from Mas, mostly, but the Maters knew — believed — that the Spectra embraces Binaries, even let Binaries leave the Eleuth or … or Trans-Gen to go into the other Prides that they need. I was not overt. My hair was short and I wore legs, but that didn’t mean anything. My sestra let me stay as I hunted, with them, and only wanted to live. I never said I was Mas. I didn’t have to.

We didn’t know, I didn’t know, about the Pan-Binary Prides and their agon with the Spectra. The Meides, that day, told us about the … Traitors, the Binaries and Trans-Gen, in agon with the Spectra and using the poison of Heterodoxy to betray and murder the rest of the Prides. That the Spectra’s peace with the Heterodoxy was our fault: and we were just helping them poison our People … helping them by letting me stay here.

The Gen-Que, later, told me the Meides lost their way. Even at their height, no one ruled them, not even the Spectra. Only themselves.

I saw them, then. I saw their armaments. I was going to do it. I was going to go over. Even then, I gleaned what would happen if I didn’t. The Maters … my wife, my sestra, refused. They appealed. They asked to talk to the Llang, to our Honoured Aunts, to at least let me go to another Pride with my wife, to the Trans-Gen, or the Binaries if need be …

The Meides leader said something, I still recall. She said: the Llangs knew. They let them through. That those who can pass through the Wall, must be destruct.

They shot first. That’s all I can recall. My wife pushed me away. The Maters and the sestra, they fought. They told me to run. I didn’t want to. I wanted to fight. I felt agon. I could hunt, but I couldn’t kill.  What good was being … being who I was if I couldn’t fight, embrace agon, to defend those I loved? To do even that? So much I didn’t understand and no one to teach me, in the middle of madness. It made no sense. Why send a Traitor to so distant a place? So isolate? Who told them about us? About me? Nothing made sense when my wife fell. When my sestra died …

My own Mater told me to run … That they would win if I stayed. If I died …

I don’t know why I ran.

I should have died with my sestra.

I kept running. I don’t glean, even now, how they didn’t find me. Maybe the deaths of all the Eleuth, was enough for them. Maybe they believed they got me. I ran. I ran deep into the Borderlands, near the Badlands. The Maters always told us to keep away from them, more than anything else. There are no Domes, just the wrecks of them, and the Nats and their holes. The elders told us the Nats are danger: rejecting techne, scire … even medicine … to be one with the World … It was said, that the Heterodox, during the Disunity and the Interregnum, used to send people to the Nats to die of the disease they embraced, that they became.

I used to think they were just tales to scare us, to scare children … Until I saw them too.

Warped, twisted … I don’t recall. Sick. I was so sick. Infected. Poison Mas … Maybe I did have it. I ran deep into the Badlands, passed where even the Nats live … Burning … I should have died.

The Eleuth had another tale, though. About the Badlanders.

I woke in a tent. I don’t glean, even now, how long I was with death. No one was with me, but water and food. And a tablet. It linked to the Interface. I’d never even gleaned it existed, among the Eleuth. We just told each other what we needed to glean, and the Elders told us the rest from our Queens, our Aunts, our Greater Maters … who betrayed us.

The tablet had a missive. It told me I could find them, here. Or, I could join up with something called the New Spectra. But that I should know about my sestra … and my brethren.

Brethren … an alien, but comforting name. It fit in me, even with the emptiness without the Eleuth, my Maters, my wife  … I put my hand on the word for brethren on the tablet. I slept again.

Until I was found by my new family.

A few cycles have passed since I’ve joined Those Who Can Pass the Wall. The Climbers. Mas, Fem, and even Is. And Gen-Que. The Gen-Que taught me about Gen and Affinities. The Trans-Gen, helped me through the Rite of Transformation, sometimes the body, and sometimes the mind … diverse for each person. My spirit knew what it was, though. I always did. The Newtons, or the Tess as they also like to call themselves, sometimes showed me genii. I showed them the tablet. The Binaries and Pan, sometimes Dual, or Faire, or in Units, they showed me how they love … and fight by Passing Through the Wall, affecting one Affinity to glean information from the Joys and Llangs that thought they were the same, or the Trans-Gen who passed affecting Gen to do the same.

I gleaned more. The Meides never thought we were “pure” — that we were too diverse, too potential Heterodox — and the others share this idea. The Spectra is HetSoc, but they are not Heterodox, or so they say to themselves: Playing Reunity only to get what they want. The Heterodox claims to want diverse, on their terms, to claim diverse and make themselves a mask of mercy for their polit-societas. In turn, the Heterodox promises the Spectra, the other Prides — the majority of Joys and Llangs — mech wooms and changing seed techne and scira to replace the Vessel of Trade and the Accords of Life. The rest of us are expended to them. It makes me think about my Maters. About my wife, and the child we never had. The Spectra plans to erase us. Or at least do nothing while the Meides come for us, and kill them after they are done.

But we are not done.

Just as I learned, from the Meides, that those that can pass through the Wall must be destruct, I also gleaned from my sestra and brethren, my family, the lessons of the Fore-Climbers against the ancient Heterodox: the ones that made the Spectra that failed us.

Our ID is our weapon. Our weapon is our ID.

The Joys and Llangs have their favourites: their consorts still Trans-Gen or Binary, and have just embraced quiet. Just wearing another wall. Hiding fluidity in a Stone. Sometimes, we appeal to someone through one ID that is really another. Sometimes, we take from them with that same ID. Other times, we kill them under the ID of another.

That is my personal agon. My fight. This is my Test on this tablet. On the Interface. I was Llang. I am now Mas, and I am the last of my Pride, the only son of the Eleuth. And I will never forget. I will never forget the lesson. And I hope you will not forget this Test.

© Matthew Kirshenblatt, 2018.

The Making of Sacrifice

It’s taken me a while to get back into this, into my Alternative Facts universe and the State of Amarak.

A lot of stuff gets lost in transition, and translation when I write these stories, I’m afraid. I think I go into it a lot more in my article Alternative Facts, where I discuss how this entire thing began, but to summarize the issue with my stories is that the language I attempt to create — the poetics — is by its own evolution very inaccessible, or limited. This is the language and syntax of a people — or populii — that has changed over at least a thousand years, if not more. I just attempt to extrapolate based on what I know, and what little I have read on the matter, and go with it.

But there is another issue as well. After talking about translation, there is transition to consider. I realize that most of my stories in this series are not really standalones as I might have originally planned them to be. I realized after “Freedom” and “The Spectrum” that I was essentially world-building from the roots of “Lost Words.” So here you have my poor readers trying to read my attempts at Newspeak and remember the context of groups and ideas from previous stories in that same vein.

Sacrifice is supposed to be different.

The first draft was very short and it was direct. At the same time, it lacked focus. It referred to other ideas, and it didn’t put emphasis on the Gilder Booms nearly as much as this one does. The Gilder Booms have existed ever since “Freedom” and they get talked about a little more in “Our Secret.” I don’t like to explain my stories, even if I did basically create a whole new language — or a basic attempt at such — for the world of Amarak. But I would like to discuss, briefly, the idea that led to this particular short story or, perhaps, chapter of this dark political speculative landscape.

I was, of course, paying attention to the recent school shootings in the United States. A lot of my friends and peers had been reposting and commenting on various articles. There were two ideas that came to me, one possibly in the back of my mind for a while, and the other more blatant. Let me start with the second one.

I thought about the Gilder Booms, as they are a group in the sub-cult of the Repo Party in Amarak: near or in the Borderlands away from the Repolitik proper. They are the cannon fodder, the militias, that go in and unleash the most bombastic and physical damage on those around them. I began to look at the religion or spirituality I extrapolated and formed around the Repo Party leadership and I wondered what the Gilder Booms thought of their “hallowed armaments.”

At one point, I came across this New York Review Daily article on my social media feed entitled Our Moloch by Garry Wills. It posited the idea that guns and firearms have a god: that this particular one is modeled after, or is, Moloch: an ancient god demonized by Judeo-Christian theology, and ultimately represents human — and especially child — sacrifice. The article, if you read it — and I hope you do — makes its point clear about guns and shootings in the United States along with its victims.

But then, I just couldn’t see the Gilder Booms blatantly worshiping Moloch: even with their time distorted idea of the Bible and folklore. So I thought of a deity that could represent the creation and power of firearms instead, on a warfare level. Unfortunately, Neil Gaiman beat me to it with his American version of the Roman blacksmith god Vulcan in his television series adaptation of American Gods. If you haven’t been watching the series, it is interesting, though I think the novel is better. Even so, Vulcan in that world represents gun deaths, and the military industrial complex of the United States. He is a perfect symbol and I realized I just couldn’t match that.

Even so, it still didn’t sit well with me. Two Mediterranean deities becoming the god of guns just didn’t feel … I don’t know, like they would be a part of Amarak. I tried thinking of Amaraki versions of them, but it didn’t work. And then, I remembered something about how the ancient Greeks, at least, thought of deceased children as heroes: and they were specifically buried in a ritualistic manner to almost deify them. I’d already touched on this in “Freedom” and “The Spectrum,” of course but I wanted to see what the Gilder Booms would do with it: how they would express it, and distort it to suit their spiritual and religious views.

And I realized that perhaps I was going about it the wrong way. The guns didn’t need a god. They already have spirits. It’s true that, in their theology, the Gilder Booms see the spirits of their hallows — as they call them — as extensions or servants of the Lohim, just as the Lohim has divine Masks or aspects representing specific old Amaraki ideas and figures. But I wanted to give the guns a life of their own, an animistic element, that ties them to the idea of nativity as part of the Land or the earth. The hallows themselves are a vessel of the spirits that they have … and the ones that they take.

I’m not sure when I started thinking about the Winchester Mansion. I know there is a film that had been released not long ago about it, and I’d always thought about the story in the back of my mind. It’s strange, when you think about it. I mentioned American Gods, and it has this idea that its holy places are specific focal points in the earth that attracts worship and belief. In America, according to Neil Gaiman’s novel, they are generally tourist attractions: the House on the Rock, and such.

The Winchester Mansion is definitely one of those focal points. It was created by Sarah Winchester, the widow of the man who owned the company that created Winchester rifles: which took many, many lives by design. The legend is that she started building an estate, after the deaths of her husband and child, to appease the spirits of all those killed by the family’s guns … or to get away from their curse. I wanted to find a quote about the Winchester Mansion and Sarah Winchester, but all I could actually retrieve was an old 1911 column about it: which I included as an epigraph in my story.

I … did the equivalent of meditate on that epigraph. I wrote some notes that, unfortunately, I deleted off of my phone. But what I realized was that according to the unnamed writer of the column, Winchester believed all would be well “so long as so long as the sound of hammers did not cease in the house or on the grounds.”

And then I started to think about it. What if the hammers are those in guns? What if the House is something more political? And what if the grounds are the Land, or a State, or a nation? What if Sarah Winchester and her actions, as fact, fiction, legend, or myth were a metaphor for a nation that profits from the construction, and deliverance of weapons? What if there is this large tract of grounds with different passageways leading futilely nowhere, or doubling back on themselves in circular logic, or hiding other secret places from those who would want to find them, or get out? What if there is a place that is made to hide rich people, or entrap the living, and attempts to forget about the growing dead?

What if America is the Winchester Mystery House? It was this idea, this image, that I ran with when I wrote this story, and then rewrote it and honed it down further. Perhaps I failed in telling this story properly in my Alternative Facts universe if I had to go into a digression about it here.

But it reminds me of something the narrator says in “Lost Words” when they are attempting to reconstruct the time before “The First Disunity” and a card game: about how the “House always wins.” And then there is also the idea, that can’t be discounted, of Sarah Winchester attempting to keep building on the House to actually pay restitution to the spirits, even with the problematic means of using the system her family made and the blood money to do so. Part of the column reads that her friends keep “persisting to visit her.” And either way you look at it, there is also that image of Sarah Winchester claiming that all will be well as long as construction keeps going … as long the House and the grounds keep expanding .. or the Land.

Sometimes, some things just speak for themselves, I find.  I hope that you will sleep well tonight. Take care, everyone.